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Coalfields (1984)
West Virginia industrial landscapes are collaged on an optical printer through a series of jagged shapes that transform the photographed scenes into a semi-abstract kinetic field. Woven into the fabric of the film is the story of Fred Carter, a retired coal miner and black lung activist who was framed by the Federal Government in its effort to undercut the black lung movement and to stop his bid for president of the United Mine Workers Association.
Updated Dec 31 2014
Crew
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